| Mid3vildan | hello! | 00:39 |
|---|---|---|
| Lumpy | ello ello all | 02:34 |
| chachapuma | alguien que hable castellano / español? | 03:58 |
| chachapuma | eu | 04:00 |
| chachapuma | danielchachapuma@gmail.com estoy probando ubuntu studio 12.04 me gustaria recibir ayuda en español para varios programas y configuraciones | 04:04 |
| chachapuma | gracias | 04:04 |
| jorge | alguien me puede echar una mano no logro ejecutar el sw de mixlr para transmitir radio online | 05:46 |
| jorge | si alguien tiene alguna solucion | 05:46 |
| jorge | me sera de granayuda | 05:46 |
| cfhowlett | clean | 13:02 |
| eeepc | XFCE 4.10 on ubuntu studio? | 18:27 |
| holstein | !info xfce | 18:27 |
| ubottu | Package xfce does not exist in quantal | 18:27 |
| holstein | lol | 18:27 |
| holstein | !info xfce4 | 18:28 |
| ubottu | xfce4 (source: xfce4): Meta-package for the Xfce Lightweight Desktop Environment. In component universe, is optional. Version 4.10.0 (quantal), package size 4 kB, installed size 31 kB | 18:28 |
| holstein | eeepc: ^^ | 18:28 |
| holstein | eeepc: its the same as main ubuntu... and xubuntu.. same repos | 18:28 |
| FloatingGoat | what do you guys think of soundhole pickups for guitar? | 20:42 |
| zequence | FloatingGoat: Never heard of them, but try #opensourcemusicians. There are a few guitarists on that channel who know their stuff | 20:42 |
| faLUCE | hi, is there a way to move down the upperpanel? | 20:50 |
| len-1304 | faLUCE, for any panel right click on it. Click on "Panel" then preferences. | 21:01 |
| len-1304 | uncheck lock and you should be able to drag it around | 21:02 |
| len-1304 | FloatingGoat, sound hole pickups are fine for stage work with a steel string guitar, they don't work for nylon. | 21:03 |
| len-1304 | Get one that is designed for acoustic sound or it will sound electric. | 21:03 |
| faLUCE | len-1304: I can't drag it. I unchecked lock but I can't drag it | 21:03 |
| faLUCE | len-1304: sorry | 21:03 |
| faLUCE | thanks | 21:03 |
| len-1304 | faLUCE, let me try. | 21:03 |
| faLUCE | len-1304: solved | 21:04 |
| faLUCE | thanks | 21:04 |
| len-1304 | with the panel preferences panel open try using the mouse to grab the panel right at the end. | 21:04 |
| len-1304 | faLUCE, ^^^ | 21:04 |
| faLUCE | yes you were right thanks | 21:04 |
| len-1304 | FloatingGoat, for recording, use a mic over _any_ pickup if you want an acoustic sound. | 21:06 |
| FloatingGoat | what do you think? | 21:10 |
| zequence | I agree on using a condenser mic when recording acoustic guitar. Can't beat that with any pickup | 21:11 |
| zequence | pickups are good for live use | 21:11 |
| FloatingGoat | i know for recordings. but what about realtime recordings | 21:12 |
| FloatingGoat | live recordings | 21:12 |
| FloatingGoat | cause i want to record guitar as well as | 21:14 |
| FloatingGoat | my voice at the same time | 21:14 |
| len-1304 | FloatingGoat, for live stuff, the guitar will not sound as good no matter what you do, but a pickup will allow better feedback control and keep the mic for guitar and voice from comb filtering. | 21:15 |
| len-1304 | Any time you have two mics close together, there will be comb filtering. | 21:16 |
| len-1304 | It will make your recordings sound hollow. | 21:16 |
| zequence | FloatingGoat: Depends. I haven't done that type of recording much. Of course, the vocals will leak into the guitar mic quite a bit, if you sing and play. | 21:16 |
| len-1304 | I think the sound hole pickup I have is a fishman | 21:16 |
| zequence | len-1304: Not if you do it right though | 21:16 |
| len-1304 | On stage? Is there a right? :) | 21:17 |
| zequence | The vocals will leak not only into the mic picking up the guitar, but it will also resonate some in the guitar itself | 21:18 |
| zequence | One will only know how it all sounds by trying different setups | 21:19 |
| len-1304 | The one thing you will notice with an in hole PU is that it does change the resonant frequency of the guitar body... generally lower. | 21:19 |
| len-1304 | zequence, yes | 21:19 |
| len-1304 | Best test is to record it and listen to the recording. | 21:19 |
| zequence | If it's a nice room, you could do a stereo recording. Two balanced cardoid condensers, close to each other, picking up opposite sides of the room. | 21:21 |
| zequence | The mics need to be good too | 21:21 |
| len-1304 | nice room to a hall owner = lots of seats in a small space... | 21:22 |
| len-1304 | Oh and still meats fire codes. | 21:23 |
| len-1304 | *meets | 21:23 |
| * len-1304 is feeling cynical today. | 21:23 | |
| zequence | Most concert halls seem to suffer from that problem :) | 21:24 |
| zequence | I find the best halls are fairly small | 21:24 |
| zequence | And you enjoy being there more, if it's much less than packed | 21:25 |
| len-1304 | I have pretty much decided that the performer audience interaction is the most important thing. | 21:25 |
| len-1304 | Getting good sound is important, but there has to be something worth seeing/listening to. | 21:26 |
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